BNS bridges street and fine art by integrating his public interventions into his studio practice. His street art and graffiti, often ephemeral, are placed in key city locations, blending into their surroundings while being exposed to weather, tags, and uncontrolled interactions. He documents these interventions through photography, later transferring them onto silkscreens and incorporating these scenes in his gallery works.

For nearly 20 years, he has refined a self-taught approach to silkscreening. Viewing it as an individual art form, he employs an unconventional technique that does not use registration. Each screen is burned and hand-pulled with controlled pressure to achieve distinct variations where all screens are applied to the canvas only once, ensuring that every piece is unique. This approach contrasts with the traditional perception of silkscreen as a repetitive process.

His work is built through layering, combining aerosol paint, acrylics, silkscreen, inks, collage, and photography to create depth and texture. Compositions often exceed 30 layers, exploring the interplay between urban landscapes and organic elements, juxtaposing architectural structures like bricks, cables, and water towers with botanical imagery.

His works are primarily on canvas or wood panels, sometimes incorporating a resin finish.