This work, part of Interference series, brings together female portraiture, flowers, graffiti, and city scenes in a body of work that examines how identity is shaped through layering, interruption, and transformation. Floral forms move across the face, often obscuring the eyes—the most recognisable and expressive feature, where identity and recognition are typically anchored. Rather than functioning as decoration, these elements alter the image itself, partially overtaking the subject and disrupting immediate readability. The result is a shifting visual field in which beauty and obstruction exist at once. This same dynamic appears in the urban landscapes, where graffiti meets the structure of the city in a constant state of overlap and exchange. In Paris and New York, marks, surfaces, and architecture exist in tension, each altering the presence of the other. Across the exhibition, woman, flower, street, and city become parallel surfaces onto which meaning is projected and unsettled. In Interference, obstruction is not only a gesture of covering; it is a form of presence, a way of resisting fixed meaning and allowing new readings to emerge.
